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Nazwa filmu/ producent |
Czułość | Ziarno | Rozdz. | ID |
Kolor/ B&W (C/BW) |
Pozytyw/ Negatyw (P/N) |
Opis po angielsku | Opis po polsku |
|---|---|---|---|---|---|---|---|---|
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AGFA SCALA 200X |
ISO 200/24' | 11 | 120/50 Ipm | Scala 200X | BW | P | Scala 200X Professional is a medium-speed panchromatic black-and-white reversal film that produces slides with clear highlights, uniform graded midtones and rich blacks. It can be pushed three stops or pulled one, but requires special processing, and is sold (in five-roll pro packs) only by Agfa professional dealers and the pro labs that offer the service. Contact Agfa at 1-800-AGFAPRO for the names of current labs offering the film and processing. | |
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AGFACHROME CT PRECISA 100 |
ISO 100/21' | 10 | 130/50 Ipm | CTprecisa 100 | C | P | CTprecisa 100 replaces Agfachrome CTx 100 as Agfa's mass-market 100-speed color-slide film, with enhanced sharpness and color intensity and finer grain. The new film is the first to incorporate Agfa's Super Active Inhibitor System (SAIS), which improves edge effects and inter-image effects to produce improved definition and color brilliance, especially greens and blues. | |
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AGFACHROME CT PRECISA 200 |
ISO 200/24' | 12 | 120/50 Ipm | CTprecisa 200 | C | P | Similar in color rendition to Agfachrome CTprecisa 100 but a stop faster and a bit less sharp, CTprecisa 200 provides very fine grain for the speed. CTprecisa 200 offers more-accurate colors both strong and soft, neutral tones without color cast, and better highlight and shadow detail. Like CTprecisa 100, CTprecisa 200 pushes well. A good generalpurpose slide film. | |
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AGFACHROME RSX II 100 PRO |
ISO 100/21' | 10 | 125/50 Ipm | RSX II 100 | C | P | Similar in characteristics to Agfachrome RSX II 50 but a full stop faster and slightly grainier. A good general-purpose professional slide film. Like RSX II 50, RSX II 100 can be pushor pull-processed one stop with no effect on color balance, and two stops with minimal effect. Very sharp and fine-grained for its speed, with excellent tone separation and color saturation, rich blacks and improved linearity. | |
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AGFACHROME RSX II 200 PRO |
ISO 200/24' | 12 | 110/50 Ipm | RSX II 200 | C | P | Agfachrome RSX II 200 is the pro version of Agfa's ISO 200 slide film, a fine general-purpose emulsion that shares the RSX II family's excellent characteristics delineated in the write-up of RSX II 50. RSX II 200 Professional can be pushed two stops or pulled one with little effect on color balance. No reciprocity compensation is needed for exposure times from one second to %o,ooo. | |
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AGFACHROME RSX II 50 PRO |
ISO 50I18' | 10 | 125/55 Ipm | RSX II 50 | C | P | Agfa has improved its already-excellen t line of professional Agfachrome color-slide films with the RSX II family, increasing the maximum density and impr''oving pushability. RSX II 50, the slowest of the group, offers heightened color saturation throughout the spectrum, fine nuances of tones, richer blacks, greater sharpness, better detail, improved reciprocity characteristics and higher processing stability. | |
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AGFACOLOR HDC PLUS 100 |
ISO 100/21' | 4 | 130/50 Ipm | HDC 100 plus | C | N | Agfa's HDC (High Definition Color) print films are ideal for amateur use, with good storage properties and processing latitude, as well as good exposure latitude, fine grain and great sharpness. Agfacolor HDC plus 100 is the sharpest and finest-grained member of the HDC film family. The HDC films have been improved to HDC plus versions, with even better colors (especially in shadows) and finer grain. | |
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AGFACOLOR HDC PLUS 200 |
ISO 200/24' | 4.5 | 130/50 Ipm | HDC 200 plus | C | N | The mid-speed member of Agfa's HDC family of consumer color-print films, HDC plus 200 shares its brothers' excellent storage characteristics and processing latitude. HDCplus 200 is a fine general-purpose film, with improved color saturation (especially in deep shadows), outstanding skin-tone rendition, finer grain and good sharpness. Exposure latitude and reciprocity characteristics are very good. | |
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AGFACOLOR HDC PLUS 400 |
ISO 400/27' | 4.5 | 130/50 Ipm | HDC 400 plus | C | N | The first of Agfa's 35mm films to employ technology developed for Agfa's Advanced Photo System films, Agfacolor HDC 400 plus offers purer reds and more-radiant yellows and generally brilliant color for such a fast film. Grain size is markedly reduced over the film's predecessor in the Agfa line. Like the other new HDC 6lms, HDC plus 400 has excellent storage characteristics and processing latitude. | |
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AGFACOLOR OPTIMA II PRESTIGE 100 |
ISO 100/22' | Not stated | Not stated | Optima II 100 | C | N | Agfacolor Optima II 100 is a pro film ofFering flat, thin SEM (Surface Enhanced Multistructured) crystals for greater sensitivity with finer grain, and thinner (and thus sharper) emulsions. New dye couplers result in excellent color fidelity and greater stability. Super Inter-Image Effects yield more color saturation in the dark areas of the image, while gray balance is neutral from shadows through highlights. | |
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AGFACOLOR OPTIMA II PRESTIGE 200 |
ISO 200/24' | Not stated | Not stated | Optima II 200 | C | N | Afaster version of Agfacolor Optima II 100, Optima II 200 shares its slower namesake's characteristics: very accurate color reproduction, normal contrast and excellent image structure. It also gives Agfa a premium-quality film in the popular ISO 200 speed. No reciprocity compensation is required with exposure times from 3 /io,ooo. All of the Optima II Eilms handle humidity and heat better than their predecessors. | |
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AGFACOLOR OPTIMA II PRESTIGE 400 |
ISO 400/27' | Not stated | Not stated | Optima II 400 | C | N | Recently improved for finer grain and moreprecise color separation, Optima II 400 also features very fine grain and brings the Optima family's realistic, natural color reproduction to the ISO 400 user. Exposure latitude is good, contrast is snappy even in low-light work, and neutral tones appear neutral. Flesh tones are good, and the film handles a wide range of lighting situations very well. | |
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AGFACOLOR PORTRAIT XPS 100 |
ISO 160/23' | 3.5 | 150/60 Ipm | XPS 160 | C | N | Portrait 160 was the third member of the original Agfa Triade, and as its name implies, it's designed for portrait work, producing soft colors and excellent skin tones. Its subdued color saturation and soft contrast make it ideal for people pictures and contrasty scenes. Image quality, like that of the other members of the Triade system, is excellent for the film speed. | |
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AGFACOLOR ULTRA 50 PRO |
ISO 50/18' | 4.3 | 140/50 Ipm | Ultra 50 | C | N | Ultra 50 is the slow-speed member of Agfa's Triade family of films with varied color saturations. This one offers the most saturated color, bringing out the brilliance of colors even in dull lighting. Agfa says Ultra has the highest color saturation of any color-negative film in the world. Image quality is excellent, in keeping with its slow speed. Contrast is higher than normal, adding "snap." | |
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AGFAPAN APX 100 |
ISO 100/21' | 9 | 150 lpm | APX 100 | BW | N | Agfapan APX 100 offers excellent image quality and tonal range. A fine general-purpose Eilm when high sharpness is desired, it can be processed in all popular black-and-white developers (although Agfa recommends its own Rodinal, Atomal and Refinal) and responds well to changes in development time for contrast control. A fine conventional black-and-white emulsion. | Ten uniwersalny film łączy doskonałą jakość obrazu z czułością wymaganą przez wiele zastosowań. Jest odpowiedni do wykonywania bardzo szerokiego zakresu fotografii, od portretu przez krajobraz do fotografii abstrakcyjnej. Za pomocą wywoływania forsownego negatyw ten może uzyskać czułość do ISO 200/24°. |
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AGFAPAN APX 25 |
ISO 25/15' | 7 | 200 Ipm | APX 25 | BW | N | Agfapan APX 25 is a very sharp, extremely fine-grained black-and-white film with wide exposure latitude and excellent highlight separation. It's a good choice when large prints are desired. For best results with this slow-speed film, use a tripod. APX 25 can be developed in all popular black-and-white developers, although Agfa recommends its own Rodinai, Atomal and Refinal. | Jest to film do tych zastosowań, gdzie wymagana jest najwyższa ostrość i najmniejsze ziarno. APX 25 jest predestynowany do motywów bogatych w detale oraz na przykład fotografii mody. Wyznacza również standardy w oddaniu motywów z dużymi obszarami o podobnej gęstości, jak na przykład w architekturze. Zazwyczaj na takich fotografiach wyraźnie widać ziarno a detale są „rozmyte“. APX 25 daje takim przestrzeniom kompletną gładkość, a detale są reprodukowane z dużą ostrością. W związku z wyjątkową jakością obrazu, APX 25 jest doskonały do wykonywania dużych powiększeń. Nie jest to prawdą tylko w stosunku do negatywów zwojowych, ale dotyczy zwłaszcza negatywu małoobrazkowego. |
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AGFAPAN APX 400 |
ISO 400/27' | 14 | 110 Ipm | Agfapan 400 | BW | N | Another "veteran" conventional-technology black-and-white emulsion, Agfapan APX 400 appears to be a little sharper and finer-grained than Tri-X and the original HP5 emulsion. Image quality is excellent, and the film has wide contrast latitude through development-time changes. APX 400 can be push-processed to EI 1600 with Agfa's Atomal developer. | Film APX 400 jest uważany za zaufanego partnera podczas fotografowania w zmiennych warunkach oświetlenia, kiedy niezbędny jest zapas czułości. Nie jest ograniczony tylko do podstawowej czułości ISO 400/27°, za pomocą wywoływania forsownego możemy łatwo uzyskać czułość ISO 800/30°. Tak więc APX 400 może być konieczny w wielu zastosowaniach. Dla niektórych może być filmem podstawowym. Przez innych będzie używany w sytuacjach specjalnych, jak na przykład fotografowanie przy słabym świetle zastanym. Kiedy planujemy fotografowanie za pomocą teleobiektywu bez statywu, lub fotografowanie szybko poruszających się obiektów – film ten może okazać się niezastąpiony. Mimo wysokiej czułości APX 400 umożliwia wykonywanie dużych odbitek z dobrą dystrybucją ziarna i doskonałą reprodukcja detali. |
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FORTEPAN 100 |
ISO 100/21' | Not stated | 90 Ipm | FortePan 100 | BW | N | FortePan 100 is a general-purpose blackand-white emulsion from Hungary via Satter/Omega. It has almost equal sensitivity to daylight and tungsten illumination (most BRW films are less sensitive to tungsten light). It ofFers wide exposure latitude, easy push-processing to higher speeds and it can be developed at a wide range of temperatures from 60-100' F. | |
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FORTEPAN 200 |
ISO 200/24' | Not stated | 85 Ipm | FortePan 200 | BW | N | FortePan 200 is the only srandard ISO 200 black-and-white negative film, giving the black-and-white photographer the same versatility that the popular ISO 200 color-print films give the color shooter. Sharing FortePan 100's wide latitude, great push/pull characteristics and equal sensitivity to daylight and tungsten light, FortePan 200 exhibits slightly more grain and a bit less sharpness. | |
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FORTEPAN 400 |
ISO 400/27' | Not stated | 80 Ip01 | FortePan 400 | BW | N | FortePan 400 employs a special double emulsion layer, one layer capturing the highlights and the other capturing the shadows, thus giving the film good ability to hanctle high-contrast scenes. FortePan 400 is easily pushed, with great exposure and development latitude. Like the other FortePan films, FortePan 400 can be processed at temperatures from 68-100' F. | |
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FUJI NEOPAN 1600 PRO |
ISO 1600/33' | Not stated | Not stated | Neopan 1600 | BW | N | Fuji incorporates the "advanced-type HighEfficiency Light Particles" of its Polymer Mix Technology, along with an image-sharpening layer, in Neopan 1600 to produce a very fast black-and-white film with excellent grain and sharpness charac'teristics for its speed. The film can be exposed from EI 250 3200, with excellent results at speeds from EI 400-1600. | - bardzo wysokoczuły czarno-biały profesjonalny materiał negatywowy - przeznaczony do fotografii w bardzo złych warunkach oświetleniowych, reportaży na stadionach czy koncertach - możliwe naświetlanie w zakresie EI 400 do EI 3200 i wołanie forsowne. |
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FUJI NEOPAN 400 PRO |
ISO 400/27' | Not stated | Not stated | Neopan 400 | BW | N | The slower and Finer-grained of the two Fuji black-and-white films available in the U.S., Neopan 400 provides excellent image quality and exposure latitude for its speed. It can be pushed as far as EI 3200 if necessary. This is a fine general-purpose black-and-white emulsion designed to be processed in a wide variety of popular standard black-and-white film developers. | - profesjonalny, wysokoczuły, czarno-biały film negatywowy o bardzo drobnym ziarnie - zalecany do fotografowania szybko poruszających się obiektów, zdjęć robionych z użyciem teleobiektywu, lub zdjęć przy złych warunkach oświetleniowych w zastanym świetle - zapewnia ponadprzeciętną ostrość i szeroką rozpiętość tonalną zdjęć - bez wyraźnej straty jakości pozwala na naświetlanie w zakresach czułości od EI 200 do EI 3200 i odróbki forsownej. |
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FUJICHROME 64T II PRO |
ISO 64/19' | 10 | 135/55 Ipm | RTP II | C | P | Balanced for 3200 K tungsten light and intended for long exposures, Fujichrome 64 T II is ideal for copy work as we11 as for pictorial work under tungsten lighting. It provides faithful color reproduction with excellent saturation, a wide tonal range and minimal reciprocity failure during long exposures (no compensation is needed for exposure times from 16 seconds to %s). | - wysokiej jakości profesjonalny drobnoziarnisty materiał odwracalny do światła sztucznego - stosowany do fotografii komercyjnej, zdjęć we wnętrzach oraz płaskiego kopiowania -doskonały przy wołaniu forsownym. |
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FUJICHROME ASTIA 100 PRO |
ISO 100/21' | 10 | 135/55 Ipm | RAP | C | P | Featuring a natural rendering of delicate hues without compromising bright, saturated colors, Astia 100 Professional film's forte is smooth and natural skin tones. Naturally, this makes it a great people film, but it also excels in commercial product photography. Astia 100 can be pushed one stop with excellent results, and even farther with good image quality. | - profesjonalny materiał portretowy o czułości ISO 100, niezwykle drobnym ziarnie, bardzo wysokiej zdolności rozdzielczej i ostrości - zapewnia ponadprzeciętną dokładność odwzorowanie koloru skóry, przepiękne odwzorowanie pozostałych barw oraz gładką strukturę zdjęcia co predysponuje ją obok fotografii portretowej również do zdjęć mody - film może być forsowany do 1 stopnia w procesie wywoływania. |
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FUJICHROME MS 100/1000 PRO |
EI 100-1000 | ?10-16 | 135/55 Ipm | RMS | C | P | The new Fjichrome MS 100/1000 is a multi-speed pro slide film that employs Fuji}s latest emulsion technologies to provide excellent image quality at a variety of film speeds. This film was designed to be pushed, and responds beautifully to pushprocessing to speeds up to EI 1000 (basic speed is ISO 100, at which it matches Fujichrome Astia image quality). Color reproduction is accurate at all speeds. A great film for sports, fashion, editorial and other low-light shooting. | - wieloczułościowy film Fujichrome MS 100/1000 to powstały z myślą o profesjonalnej fotografii reportażowej materiał odwracalny, zapewniający doskonałe rezultaty w olbrzymim spektrum sytuacji zdjęciowych. - wysokiej jakości profesjonalny materiał odwracalny - zakres czułości od EI 100 do EI 1000, czułość nominalna ISO 100/21`, naświetlenie EI 1000 musi być poddane wywołaniu forsownemu o 3 i 1/3 stopnia przesłony - polecany jest do fotografowania sportu, mody, oraz innych sytuacji związanych ze zmiennym lub niskim poziomem oświetlenia. |
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FUJICHROME PROVIA 100 PRO |
ISO 100/21' | 10 | 140/60 Ipm | RDP II | C | P | Fujichrome Provia is the answer for those who love Velvia but need more speed. It produces highly saturated yet faithful colors under daylight and electronic-flash illumination, and has less contrast than Velvia. Provia 100 is a great general-purpose film, and handles skin tones better than Velvia (although the new Astia 100 is even better suited to portrait photography). | - profesjonalny średnioczuły uniwersalny film odwracalny przeznaczony do światła dziennego o bardzo drobnym ziarnie i podwyższonej ostrości - przeznaczony do różnorodnych zastosowań tematycznych - posiada nadzwyczaj drobne ziarno i ostrość w swojej klasie, doskonałe odwzorowanie najdrobniejszych niuansów pełnej palety barw, jest dostosowany do długich czasów ekspozycji - doskonałe rezultaty przy wołaniu forsownym. |
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FUJICHROME PROVIA 100F PRO |
ISO 100/21' | 8 | Not stated | RDP Ill | C | P | New Fujichrome Provia 100F is the finest-grained pictorial slide film available finer grained than the slower Velvia and that longtime fine-grain icon, the nowdiscontinued Kodachrome 25. Otherwise, this fine film features the palette and other characteristics of the original Provia 100, and can be pushed up to two stops when necessary with good results. | Ponadprzeciętna jakość uzyskiwanego obrazu połączona z niezwykłą
prostotą użytkowania. To coś, o czym marzą wszyscy zawodowi fotografowie.
Fujichrome Provia 100F to nie tylko fantastyczna reprodukcja
fotografowanych motywów, to także najdrobniejsze ziarno (nie tylko w tej
klasie czułości, ale spośród wszystkich filmów dostępnych na rynku) o
współczynniku RMS wynoszącym 8. Nowe technologie pozwoliły koncernowi Fuji
Photo Film Co., Ltd utworzyć nowego lidera wśród materiałów odwracalnych,
zapewniającego utrzymanie technologicznej przewagi japońskiego producenta.
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FUJICHROME PROVIA 1600 PRO |
ISO 1600/33' | 22-30 | 100/40 Ipm | RSP | C | P | Fujichrome 1600, improved not long ago, got a new name when the Provia family of pro films was introduced. As Provia 1600, it remains an excellent superspeed slide film, offering fine grain and good sharpness for the speed, very nice color reproduction, a good D-max black for the speed and the ability to be pushed to EI 3200 or pulled to EI 800 with good results. | |
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FUJICHROME PROVIA 400 |
ISO 400/27' | 15 | 125/40 Ipm | RHP | C | P | Incorporating some of Velvia's technology, Fujichrome Provia 400 is a pro film that produces natural colors with enhanced red saturation. Its special spectral-distribution characteristics produce good results under indoor and mixed lighting and when shooting at twilight. It offers excellent reciprocity characteristics, can be pushed to EI 1600 and has very fine grain for ISO 400. | - wysokoczuły, drobnoziarnisty film odwracalny - predysponowany do zdjęć "zamrażających" ruch, w sytuacjach, gdzie wymagana jest duża głębia ostrości (wysoka wartość przysłony), oraz przy zdjęciach wykonywanych w złych warunkach oświetleniowych - zapewnia naturalne odwzorowanie kolorów, doskonałe rezultaty przy wołaniu forsownym. |
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FUJICHROME SENSIA II 100 |
ISO 100/21' | 10 | 135/55 | RA | C | P | Fujichrome Sensia II 100 is essentially the consumer-market version of the Astia 100 professional film. Like Astia, Sensia II 100 handles both delicate and bright colors exceptionally well, produces beautiful skin tones, delivers full detail in highlight and mid-tone areas with almost no blue cast in shadows. Varied lighting conditions produces minimal color shifts. | |
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FUJICHROME SENSIA II 200 |
ISO 200/24' | 15 | 125/50 Ipm | RM | C | P | Sensia 200 marked the first ISO 200 slide film in Fuji's lineup, and has been redesignated Sensia II 200 to join Sensia II 400 and the all-new Sensia II 100 in the new Sensia II family. Colors are natura.l and vivid, reciprocity characteristics are excellent, neutral tones remain neutral, and the slides look great projected on a big screen. Sensia II 200 can be pushed a stop with good results. | |
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FUJICHROME SENSIA II 400 |
ISO 400/27' | 15 | 125/40 Ipm | RH | C | P | The mass-market version of Provia 400, Sensia II 400 offers similar characteristics: Image quality is excellent for the speed (Sensia and Provia 400 are actually finer grained than two of the ISO 200 color-slide films on the market), colors are warm and natural, contrast is normal with a good D-max black it's a great workhorse film for action and low-light work. | |
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FUJICHROME VELVIA PRO |
ISO 50/18' | 9 | 160/80 Ipm | RVP | C | P | Velvia is a superb film with tremendous sharpness and superfine grain. It produces rich blacks, neutral grays and beautiful, rich colors. Velvia's contrast is higher than that of most color-slide films. An excellent and very popular slide film with photographers in many fields, especially scenic and nature photography, although some consider it a bit too saturated and contrasty for portraits. | - profesjonalny materiał odwracalny do światła dziennego o ekstremalnie drobnym ziarnie, wysokiej ostrości i wysyceniu kolorów - przeznaczony do fotografii krajobrazu oraz użytku komercyjnego jak fotografia mody, reklamowa, oraz zdjęć do powiększeń wielkoformatowych -posiada najdrobniejsze ziarno ze wszystkich dotychczasowych materiałów odwracalnych Fuji, pełne oddanie skali szarości, doskonałą reprodukcję kolorów - nadaje się do wołania forsownego w zakresie do 1 stopnia. |
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FUJICOLOR NEW SUPERIA 100 |
ISO 100/21' | 4 | 125/63 Ipm | CN | C | N | Utilizing Fuji's New Reala Technology, New Superia 100 incorporates a fourth emulsion layer for exceptionally realistic colors, even under fluorescent lighting. Optimized spectral sensitization provides more faithful rendering of red and purple, while two-stage timing DIR couplers generate additional color brilliance. Of course, grain, sharpness and contrast remain excellent. | |
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FUJICOLOR NEW SUPERIA 200 |
ISO 200/24' | 4 | 125/55 Ipm | CA | C | N | Fujicolor New Superia 200 replaces the superb Fujicolor Superia 200 as Fuji's entry in the popular ISO 200 color-print-film market, employing new technology si~ilar to that used in New Superia 100 to create a medium-speed print film with terrific sharpness and color accuracy, smoother grain and better exposure latitude, along with excellent skin tones. A great general-purpose film. | |
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FUJICOLOR NEW SUPERIA 400 |
ISO 400/27' | 4 | 125/50 Ipm | CH | C | N | Incorporating Fuji New Reala Technology like the other New Superia films, New Superia 400 features remarkably fine grain for its high speed (it has the same RMS rating as 100-speed films), intense, saturated colors, crisp contrast and excellent exposure latitude. Superia 400 is a great film for action and indoor shooting, and offers such superb image quality that it can be used as an everyday, every-use Eilm as well. | |
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FUJICOLOR NHG II 800 PRO |
ISO 800/30' | 5 | 100/50 Ipm | NHGII 800 | C | N? | A super new professional film, NHGII 800 offers the benefits of NHG with an extra stop of speed and near-equal image quality. This is a great film for portraits of active kids, and for large groups, where added depth of field is handy. Skin tones are beautiful, neutral tones (white wedding dresses, for example) stay neutral, color saturation is excellent and exposure latitude is wide. You can think of this as Superia XTRA aimed at people photographers. | |
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FUJICOLOR NPS 160 PRO |
ISO 160/23 | 4 | 125/63 Ipm | NPS | C | N | Recently updated with improved contrast and exposure latitude, and featuring a fourth light-sensitive layer for realistic color reproduction even under fluorescent lighting, this "professional Reala" film provides excellent results under a wide variety of light sources. It offers excellent skin tones, along with remarkable sharpness and fine grain for its speed. Reciprocity characteristics are very good. | - średnioczuły drobnoziarnisty negatyw do światła dziennego, czasy naświetlania 1/8 s. lub krótsze - desygnowany do fotografii portretowej i ślubnej, dobry również przy zdjęciach architektury - pozwala na uzyskanie gładkich, naturalnych tonów skóry, doskonałego odwzorowania kolorów oraz najdrobniejszych nawet szczegółów fotografowanych obiektów. |
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FUJICOLOR PRESS 400 |
ISO 400/27' | Not stated | Not stated | Not stated | C | N | Press 400 and its faster brother, Press 800, joined Fuji's pro film line at Photokina 98. Incorporating technologies developed for Fuji's Smart Advanced Photo System films, Press 400 ofFers superb sharpness and grain, natural and attractive skin tones, vivid and accurate colors, neutral color balance (so photojournalists don't "color" the story), wide exposure latitude and good colors with flash and under adverse lighting such as fluorescents. P1 | |
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FUJICOLOR PRESS 800 |
ISO 800/30' | Not stated | Not stated | Not stated | C | N | Introduced with Press 400 at Photokina 98, Press 800 combines fine grain, excellent sharpness, brilliant color, good tonal balance and great exposure latitude. It's ideal for low-light and bad-weather shooting situations, outdoor and indoor sports action, and all-around news photography. It will be sold in fiveand 20-roll pro packs, but probably can be bought in single rolls from some dealers. | Fujicolor Press 800 to profesjonalny film negatywowy, który sprawdza się nawet w najtrudniejszych warunkach oświetleniowych, zachowując przy tym bardzo wysoką jakość. Powinien znaleźć się w torbie każdego zawodowego fotoreportera |
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FUJICOLOR PRO 400 NPH |
ISO 400/27' | 4 | 100/50 Ipm | NPH | C | N | Featuring Fuji's RT (RealTone) technology for precise colors and true-to-life skin tones, Super Fine Grain technology for grain 50% smaller than in Fuji's NHG 400-speed pro film and Super Concerted technology to minimize light scattering and enhance image definition, this new high-speed pro color-print film is excellent for weddings, portraits and commercial photography. | - profesjonalny wysokiej jakości negatyw wysokoczuły o drobnoziarnistej budowie (porównywalnej z filmami ISO 100) - do fotografii ślubnej, portretowej i innych zastosowań komercyjnych, przy których muszą być spełnione standardy fotografii profesjonalnej - pozwala na naturalną reprodukcję kolorów skóry, bardziej dokładną reprodukcję kolorów oraz szeroką gradację skali szarości przy drobnym ziarnie i wiernym oddaniu szczegółów. |
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FUJICOLOR SUPER HG1600 |
ISO 1600/33' | 10 | Not stated | IO: CU | C | N | An excellent ultrahigh-speed colornegative film, Super HG 1600 has great color saturation and image quality for a film of its speed. A first-rate existing-light film for all types of lighting, even without corrective filtration (although such filtration is recommended for best results). Good exposure latitude for such a fast film. Excellent storage stability. | |
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FUJICOLOR SUPERIA REALA |
ISO 100/21' | 4 | 125/63 Ipm | CS | C | N | New technologies make Fuj i's premium realistic-color consumer print film, with its added cyansensitive layer that provides the film with a response to light similar to that of human vision, even better. Color reproduction is extremely accurate, and reproduction in fluorescent-illuminated shots is the best we've seen. Grain and sharpness are among the best in its speed class. | - średnioczuły drobnoziarnisty negatyw do światła dziennego - predysponowany do najbardziej wymagających zastosowań komercyjnych - niezwykle dokładne oddanie kolorów, doskonała ostrość i ponadprzeciętnie drobne ziarno |
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FUJICOLOR SUPERIA X-TRA |
ISO 800/30' | 5 | 100/50 Ip01 | CZ-1 | C | N | Superia X-TRA is a truly super Film aimed at photojournalists. Offering the grain, sharpness and rich colors of an ISO 400 film, the ISO 800 Superia X-TRA allows shooting under a wide range of conditions. It has wide exposure latitude and can be pushed to EI 1600 with excellent results. The pro version is sold in 20-roll packs as well as individual rolls. | |
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Nazwa filmu/ producent |
Czułość | Ziarno | Rozdz. | ID |
Kolor/ B&W (C/BW) |
Pozytyw/ Negatyw (P/N) |
Description | Opis po polsku |
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ILFORD 100 DELTA PRO |
ISO 100/21' | Not stated | Not stated | 100 Delta | BW | N | Named European Black R White Film of the Year 1993-1994, 100 Delta offers exceptionally fine grain for its speed, tremendous sharpness, excellent exposure latitude and great development latitude in all popular blackand-white developers. The film employs two emulsions in a single mixed-grain layer rather than the conventional two-layer setup, enhancing sharpness. | |
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ILFORD 3200 DELTA PRO |
ISO 1600/33' | Not stated | Not stated | 3200 Delta | BW | N | With a nominal speed rating of ISO 1250 (ISO 1600 when developed in Ilford Microphen), 3200 Delta gets its name from the fact that it pushes very well to EI 3200 (and even to EI 12,500 when necessary). It can also be pulled to EI 400 with excellent results. A four-part emulsion featuring Ilford's proprietary core-shell technology in the key behind this performance. | |
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ILFORD 400 DELTA PRO |
ISO 400/27' | Not stated | Not stated | 400 Delta | BW | N | The new-technology 400 Delta film, producing ISO 400 speed with ISO 100 image quality, was recently improved for better shadow detail. Its crystal structure, based on Ilford's Controlled Crystal Growth technology, incorporates three layers: the inner core controls the film speed, the second layer the development behavior and the outer layer ensures a rapid development rate. | |
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ILFORD COLORS 100 |
ISO 100/21' | Not stated | Not stated | CN 100 | C | Renowned for its fine line of black-andwhite films, Ilford is testing the consumer color-print film marketplace with Ilford Colors. The slowest, sharpest and finestgrained of these new films is Ilford Colors 100. Features include wide exposure latitude, faithful color reproduction, good separation of neutral tones, natural skin tones, and excellent sharpness and highlight detail. | ||
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ILFORD COLORS 200 |
ISO 200/24' | Not stated | Not stated | CN 2QO | C | The middle-speed film in Ilford's new color film line, Colors 200 offers similar advantages to Colors 100: wide exposure latitude, faithful color reproduction, good separation of neutral tones, natural skin tones, and excellent sharpness and highlight detail. Like the other Colors films, Colors 200 offers the advantages of' a pro color-print film, with the added benefit of wide exposure latitude. | ||
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ILFORD COLORS 400 |
ISO 4pQ/27' | Not stated | Not stated | CN 400 | C | The Fasrest member of Ilford*s new Colors color-princ film family, Colors 400 offers similar benefits, plus a stop more speed than the nexc-Fastest member. Colors are accurate from pastels to bold ones to skin tones, neutral tones are neutral, tonal separacion is good chroughout rhe range, grain and sharpness are excellent For the film speed, and exposure latitude is wide. | ||
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ILFORD FP4 PLUS |
ISO 125/22' | Not stated | Not stated | FP4 Plus | BW | FP4 Plus provides fine grain and great sharpness for a conventional-technology film, with good exposure latitude and tonal range. It can be processed in a wide variety of developers with excellent results, and is very tolerant of lessthan-perfect processing conditions. Many photographers find this film easier to work with than the newer-technology "super films." | ||
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ILFORD HP5 PLUS |
ISO 400/27' | Not stated | Not stated | HP5 Plus | BW | HP5 Plus is a refined version of Ilford's highly popular and versatile conventional-technology highspeed film, with improvements in sharpness, grain structure and push/pull characteristics, all of which were quite good in the original HP5. Using Ilford Microphen developer, HP5 Plus can be pushed to EI 3200. HP5 Plus responds well to changes in development for contrast control. | ||
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ILFORD PAN F PLUS |
ISO: 50/18' | Not stated | Not stated | Pan F Plus | BW | Pan F Plus is an updated version of Ilford's long-popular slow-speed black-and-white film. It offers tremendous exposure latitude, ultrafine grain and excellent sharpness. Pan F Plus can be exposed at EI 80 when developed in Ilford Microphen or, for finest grain, at EI 25 with development in Ilford Perceptol. The film responds well to changes in development time for contrast control. | ||
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ILFORD SFX 200 |
ISO 200/24' | Not stated | Not stated | SFX 200 | For those of you who like the ususual eBect of black-and-white infrared film, but not the hassles (i.e., loading and unloading the camera in total darkness, readjusting focus for each shot, etc.), this is the film for you. Due to its extended red sensitivity, when used with a red filter SFX 200 provides an infrared-like e8ect without the hassles. You can also use it unfiltered for normal photography. | |||
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ILFORD XP2 SUPER |
ISO 400/27' | Varies with El | Varies with El | XP2. | Utilizing standard C41 color-negative processing, XP2 Super yields black-and-white negatives, yet can be processed and proofed by any convenient one-hour lab (or you can develop it yourself with Ilford's XP kit). Image quality is superb when the negatives are printed on conventional BRW paper. The film has amazing exposure latitude. XP2 Super has improved contrast and a more neutral base color than XP2. | |||
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IMATION CHROME 100 |
ISO 100/21' | 13 | 94 IpITI | Chrome 100 | The newest version of the Scotch color-slide film long popular with economy-minded shooters offers improved image quality (finer grain, greater sharpness) and better colors, while retaining an economical price. This film is a fine choice for point-and-shooters and the budget-minded. Imation Chrome 100 is a good general-purpose film with good exposure latitude, high color purity and warm, saturated color. | |||
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IMATION CHROME 400 |
ISO 400/27' | 20 | 89 Ipm | Chrome 460 | Featuring low price and good versatility, Imation Chrome 400 provides the speed to shoot in many low-light situations along with good color reproduction and good dye stability when subjected to prolonged projection. No reciprocity compensation is needed with exposure times from %o %o,ooo. Exposure latitude is good, and the film can be pushed to EI 1600 if needed. | |||
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IMATION CHROME 640T |
ISO 640/29' | 29 | Not stated | Chrome | The fastest tungsten-balanced slide film available, Imation Chrome 640T is useful for indoor availablelight work and night photography. The film has good exposure latitude and produces fairly grainy but sharp images with faithful color reproduction. Its low contrast makes it ideai for stage applications and its tungsten balance makes it great for scenes lit by house lamps and candles. | |||
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IMATION HP100 |
ISO 100/21' | 4 | Not stated | HP100 | Successor to 3M' s line of Scotch print films, the Imation HP films offer improvements in all areas, from finer grain and greater sharpness to better highlight and shadow detail, enhanced color saturation and natural skin tones. Keeping properties of processed film have also been improved. HP100 features a two-step improvement in RMS granularity over its predecessor, Scotch ATG 100. | |||
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IMATION HP200 |
ISO 200/24' | 5 | Not stated | HP200 | The middle-speed member of Imation's color-print film line, HP200 is a mass-market emulsion with wide exposure latitude (from two stops under to four stops over), good color rendition under a variety of lighting conditions and very good image quality. Like the other films in the Imation line, it offers good value for the money, and can be processed by any color-print processor. | |||
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IMATION HP400 |
ISO 400/27' | 6 | Not stated | HP400 | The first member of the new Imation HP color-print film family, HP400 is a fine emulsion that provides warm color reproduction in daylight conditions and can also be used with a variety of light sources withour correcrive filtracion. Like other Imation films, it handles browns and golds welL Exposure latirude ranges from nvo stop under to Four stops over. Image quality is good for the film speed. | |||
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KODACHROME 25 PRO |
ISO 25/15' | 11 | 100/63 Ipm | KM | Powrót |
For years the standard by which other colorslide films were judged, Kodachrome 25 has been surpassed in fine grain and sharpness in recent years, but still has many fans. Its rich, neutral color reproduction has long made it popular with amateurs and pros alike. There are a few drawbacks it has modest exposure latitude and only a few labs can process it but the film produces classic images. | ||
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KODACHROME 64 & 64 PRO |
ISO 64/19' | 12 | 100/63 Ipm | KR, PKR | Essentially a faster Kodachrome 25, Kodachrome 64 offers 1N stops more speed while maintaining excellent image quality. It also has more exposure latitude than Kodachrome 25. The pro version is released when it has "aged" to its optimum color balance, and should be exposed soon after purchase (or refrigerated until use) to maintain this optimum balance. | |||
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KODAK BLACK&WHITE + 400 |
EI 400/27' | Not stated | Not stated | B&W + 400 | The consumer version of T-Max T400 CN, Black R White + 400 is processed in standard C-41 color-print film chemistry, yielding negatives with images composed of dye rather than silver. Exposed at EI 400, its image quality matches that of T-Max 100. This film produces beautiful prints at EI 50 800 with standard processing, and can be pushed to EI 1600 and 3200 for increased speed and contrast. | |||
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KODAK EKTACHROME 100/PLUS PRO |
ISO 100/21' | 11 | 100/50 Ipm | EPN/EPP | The first of the 100-speed professional Ektachrome films, EPN o8ers modified color sensitivity to handle azo-dyed fabrics and other tricky colors, and is popular with pros and serious amateurs who prefer its cool-neutral color balance and attractive palette. Ektachrome 100 Plus (EPP) provides enhanced color saturation while also accurately reproducing neutral tones and yielding pleasing skin tones. | |||
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KODAK EKTACHROME 160T PRO |
ISO 160/23' | 13 | 125/50 Ipm | EP/EPT | A tungsten-balanced (3200 K) slide film with excellent image quality and color rendition, Elite chrome E160T and its pro brother, Ektachrome 160T Professional, distinguish well between similar colors. A fine film for night photography when a cooler rendition is desired, it's great for existing-light indoor work. It can be pushed to EI 320 via ESP-1 processing, and even higher by custom labs. | |||
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KODAK EKTACHROME 320T PRO |
ISO 320/26' | 19 | Not stated | EP3, 5042 | A high-speed tungsten-balanced slide film with color saturation and sharpness similar to Ektachrome 400X but slightly grainier, Ektachrome 320T Professional is ideal for shooting on TV and movie sets (where 3200 K lighting is common), at night and indoor sporting events and other tungsten-illuminated scenes. The film can be pushed a stop to EI 640 with good results. | |||
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KODAK EKTACHROME 400X PRO |
ISO 400/27' | 19 | Not stated | EL | Ektachrome 400X was the first E-6-process film to benefit from Kodak's T-Grain technology. This fast color-slide film provides a beautiful color rendition with clean whites and highly saturated blues and greens. Sharpness is exceptional for the high film speed. Ektachrome 400X has a warmer-than-neutral color balance that many pro shooters prefer. It's best suited for low-light and action photogrphy. | |||
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KODAK EKTACHROME 64 PRO |
ISO 64/19' | 12 | 125/50 Ipm | EPR | Ektachrome 64 Professional (EPR) offers a good speed-to-grain ratio and good exposure latitude, and produces soft highlight contrast and very bright colors. Excellent for landscapes and daylight portraits. It requires no reciprocity compensation at exposure times from No %o,ooo, and can be pushed a stop when necessary. EPR is long-time pro favorite | |||
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KODAK EKTACHROME 64T PRO |
ISO 64/19' | 11 | 125/50 Ipm | EPY, 5018 | A medium-speed reversal film balanced for exposure by 3200 K tungsten lighting, Ektachrome 64T Professional is optimized for longer exposure times from %o to 100 seconds. It produces excellent results in copy work, as well as when shooting original subject matter. A fine studio film for tungsten-light photography when high film speed is not necessary. | |||
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KODAK EKTACHROME E100S/100SW |
ISO 100/21' | 10 | Not stated | E100S,E100SW | This first entry in the Ektachrome E-family of pro films comes in two "flavors": E100S with high color saturation and E100SW with high saturation and a warm bias. This gives the user the right film for just about any occasion or shooting situation. The film's image structure and Hesh-tone reproduction are excellent, as are push-processing and reciprocity characteristics. | |||
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KODAK EKTACHROME E100VS |
ISO 100/21' | 11 | Not stated | E100VS | The newest addition to the Ektachrome E series, E100VS (for Vivid Saturation) combines those vivid colors with a neutral gray scale, extremely fine grain anl unsurpassed sharpness in the ISO 100 color-slide film field. The results are slides that really catch the eye on a light box this film will help you impress art directors. No reciprocity compensation is needed with exposure times from 10 seconds to Ao,ooo. | |||
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KODAK EKTACHROME E200 PRO |
ISO 200/24' | 12 | Not stated | E200 | Kodak's newest pro slide film, E200 ofFers the look of a lower-speed film (rich colors, very fine grain, great sharpness and lower contrast) with ISO 200 speed. But it can be pushed to EI 400 and 800 with excellent results. Even at EI 1000, there's minimal change in the contrast, excellent color rendition, natural skin tones and good detail in highlights and shadows. A great low-light film. | |||
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KODAK EKTACHROME INFRARED EIR |
EI varies | Not stated | Not stated | EIR | Ektachrome Infrared IR-sensitive color-slide film has always been lots of fun, the big drawback being it required special processing. This new version uses standard E-6 processing. Like its predecessor, EIR yields weird false-color e6ects magenta foliage, green skies and the like when exposed through a red No. 25 filter at EI 100 or a No. 58 green filter at EI 40 (as always with infrared film, bracket exposures widely). | |||
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KODAK EKTACHROME P1600 PRO |
EI 400-3200 | 17-38 | 80 63 Ipm | EPH, 5040 | A color-slide film designed to be pushprocessed, P1600 produces better results than Ektachrome 400X when pushed to higher speeds. Color reproduction is similar to that of 400X, but contrast is a bit higher. P1600 has a higher Dmax to minimize that smoky underexposed look in shadow areas when normal slide films are push-processed. A great slide film when super high speeds are needed. | |||
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KODAK EKTACHROME SLIDE DUPL. |
EI 12 | 9 | 125/63 Ipm | 5071 | Acolor-slide film designed to make accurate duplicates of existing Ektachrome slides, 5071 maintains the contrast and colors of the original slide. There's also a Type K version of this film (8071, available in long rolls only), for duping Kodachrome slides. Both are balanced for tungsten lighting. The similar SE Duplicating Film SO-366 is balanced for electronic flash. | |||
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KODAK EKTAPRESS PJ100 |
ISO 100/21' | PGI 28 | Not stated | PJ100 | Ektapress Plus 100 was renamed PJ100 as part of the new PJ Eltakress film family. It provides fine image quality, wide exposure latitude and accurate colors. Designed for photojournalists, Ektapress PJ100 does not require refrigerated storage as most pro color films do, and it handles a wide variety of lighting conditions well. Its sharpness is rated "extremely high." Unlike its faster Ektapress brothers, Ektapress PJ100 is not recommended for push-processing. | |||
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KODAK EKTAPRESS PJ400 |
ISO 400/27' | PGI 4l | Not stated | PJ400 | This newest version of the middle-speed photojournalist-oriTented Ektapress film features an excellent image struaure (i.e., fine grain and great sharpness), excellent color saturation and accuracy For i<s speed, good flesh-tone and neutral reproduction. It has great laritude and can be pushed to El 800 and 1600 when needed. Like the other Ektapress emulsions, PJ400 doesn't require refrigerated storage, and provides a handy note area on each film cassene. | |||
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KODAK EKTAPRESS PJ800 |
ISO 800/30' | PGI 53 | Not stated | PJSOO | Powrót |
Recently improved to yield even finer grain, especially when pushrocessed, Kodak's first pro ISO 800 color-print film provides a good balance of grain, sharpness and mlor saturation. PJ800 can be pushed to EI 1600 and even 3200 when necessary, and has excellent exposure latitude ( 2 to +4 stops). Shadow detail is excellent and colors are rich and accurate. This is an excellent film for sports, spot news, corporate, industrial and runway fashion photography anything where high film speed and good image quality are desired. | ||
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KODAK ELITE CHROME 100 |
ISO 100/21' | 10 | Not stated | EB | Elite chrome 100 features. rich, vibrant colors and pleasing skin tones, crisp contrast, extremely fine grain, extremely high sharpness, and excellent reciprocity characteristics (no compensation is required for exposure times from 10 seconds to Yo,ooo). This is an excellent all-around color-slide film, suitable for virtually all subject matter except very-low-light work. It works well in open shade and underwater. | |||
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KODAK ELITE CHROME 200 |
ISO 200/24' | 12 | Not stated | ED | Kodak's consumer-oriented 200-speec Ektachrome slide film, Elite chrome 200 offers a quantum improvement in graininess over its predecessor, Elite II 200. It also delivers pure, enhanced colors, pleasing skin tones, improved shadow and highlight detail, great sharpness in effect, this is the consumer version of the superb new Ektachrome E200 Professional film. | |||
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KODAK ELITE CHROME 400 |
ISO 400/27' | Not 'stated | Not stated | EPL, 5075 | Employing Kodak's T-Grain technology, Elite chrome 400 yields brilliant colors and great sharpness for a 400-speed slide film. Reciprocity characteristics are excellent Kodak states that pictures taken at high shutter speeds or with flash will match those taken at longer shutter speeds down to %o. A fine low-light slide film when daylight balance in needed. | |||
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KODAK ELITE CHROME EXTRA 100 |
ISO 100/21' | 11 | Not stated | EBX | Elite chrome extra color 100 is the consumer version of the new Ektachrome E100VS, featuring rich, vibrant colors and pleasing skin tones, crisp contrast, extremely fine grain, extremely high sharpness, and excellent reciprocity characteristics (no compensation is required for exposure times from 10 seconds to Xo,ooo). The original Elite chrome 100, with its pleasing naural skin tones, i sprobably better for portraits.. | |||
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KODAK GOLD 100 |
ISO 100/21' | PGI 45 | Not stated | GA | The latest version of Kodak's extremely popular 100-speed consumer-oriented color-print film, Gold 100 features a raw spectral sensitizing dye that enables the film to see colors "more like the human eye sees tham." Other technological advances improve color saturation and density, grain and keeping qualities. The Kodak Gold consumer films are especially colorful. | |||
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KODAK GOLD 200 |
ISO 200/24' | PGI 47 | Not stated | ID GB | Like the new Gold 100 and 400, Gold 200 features improvements in color accuracy, saturation and density, graininess and keeping qualities. Color reproduction is vivid and accurate under a variety of lighting conditions, exposure levels and film-storage conditions the film "sees" colors more like the human eye. A good film for photography on overcast days. | |||
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KODAK HIGH SPEED INFRARED |
El 50 | Not stated | 80/32 Ipm | HIE, 2481 | High Speed Infrared is sensitive to infrared as well as some visible radiation, and produces fairly grainy, moderately high-contrast black-and-white images. For specialeffects work, rate the film at EI 50, place a red No. 25 filter over the camera lens, and bracket exposures. Infrared-emitting subjects (hot objects, healthy foliage and clouds) appear white; clear skies and water appear black. | |||
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KODAK MAX 400 |
ISO 400/27' | P6149 | Not stated | GC, 5097 | Like rhe slower Gold films (100 and 200), Max 400 utilizes new technology to "see** colors much as the human eye does, resulting in very accurac.e color reproduction. Besides improving color accuracy, the new technology yields better saturation, reduced color shifts due to high temperature or humidity, and better raw-stock and latent-image keeping. A great film for poinr.-and-shooters. | |||
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KODAK MAX ZOOM 800 |
ISO 800/30' | PGI 57 | Not stated | GT | Kodak Max Zoom (origially Gold Max 800) was the first ISO 800 color-print film in Kodak's lineup. It produces excellent color saturation, color accuracy and sharpness along with its great speed. Wide exposure latitude permits good prints from images exposed from ISO 50 to ISO 3200 six stops' worth of exposure latitude. An excellent film for low-light and flash photography, especially with point-and-shoot zoom cameras. | |||
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KODAK PLUS-X |
ISO 125/22' | Not stated | 125/50 Ipm | PX, 5062 | Plus-X is a veteran medium-speed film that's still around because of its generous processing tolerances, excellent exposure latitude and attractive tonal range. It's suitable for all sorts of general photography and can be processed in all popular black-and-white developers. It's got fans among amateurs and professionals because they like the images it yields. | |||
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KODAK PRO 1000 |
ISO 1000/31' | PGI 57 | Not stated | PMZ | Available in five-roll pro packs, Pro 1000 ofFers a speed of ISO 1000 coupled with excellent color reproduction, wide exposure latitude, very fine grain and exceptional image quality. Reciprocity characteristics are excellent, with no compensation required for exposure times from 10 seconds to /o,ooo. Pro 1000 is a great 61m for child portraiture, environmenral portraiture, existing-light shooting, action work, candid photography, fashion and glamour and anytime a high film speed is needed. | |||
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KODAK PRO PORTRA 160 NC/VC |
ISO 160/23' | PGI 30/33 | Not stated | 160NC/160VC | Replacing Vericolor III and Pro 100, respectively, new Portra 160NC (for natural color) and 160VC (for vivid color) have it all excellent flesh-tone reproduction, good performance under fluorescent and mixed lighting, accurate results with hard-to-reproduce colors, super image quality, wide exposure latitude, true rated film speeds (no testing or guesswork needed) and more. | |||
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KODAK PRO PORTRA 400NC/VC |
ISO 400/27' | PGI 41/43 | Not stated | 400NC/400VC | The faster members oF Kodak's new portrait film line, Porcra 400NC and 400VC replace Pro 400MC and Pro 400, respectively, as the high-speed portrait/fashion/wedding Films. The new natural-color and vivid-color films ofFer better results under fluorescent/mixed lighting, better scanning characcerisrics, excellent flesh concs, true film speeds, more accuracy with hard-to-reproduce colors, and great image quality. | |||
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Nazwa filmu/ producent |
Czułość | Ziarno | Rozdz. | ID |
Kolor/ B&W (C/BW) |
Pozytyw/ Negatyw (P/N) |
Description | Opis po polsku |
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KODAK ROYAL GOLD 100 |
ISO 100/21' | PGI 28 | Not stated | RA | Improved like its "brothers," with APS technology, Royal Gold 100 features extremely fine grain and great sharpness for its speed, and accurate color reproduction. Flesh tones are excellent. Royal Gold premium consumer films are meant for those "special moments" that mean so much. Royal Gold films join Elite chrome and Kodachrome in Kodak's Select Series of high-performance films. | |||
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KODAK ROYAL GOLD 1000 |
ISO 1000/31' | PGI 57 | Not stated | RF | Royal Gold 1000 ofFers xcellent image quality and color reproduction for such a high-speed 61m. It's a fine lowlight emulsion, providing good results under mixed lighting conditions and under tungsten lighting. Colors in shadow areas are reproduced accurately. Royal Gold 1000 has good reciprocity characteristics no compensation is needed with exposure times from one second to %o,ooo. | |||
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KODAK ROYAL GOLD 200 |
ISO 200/24' | PGI 41 | Not stated | RB | Employing such technologies as triple coating, tabular grain (the blue-sensitive emulsion layer uses Tgrains exclusively) and development inhibitors, this versatile member of the Royal Gold family, Royal Gold 200, provides excellent colors and flesh tones, great sharpness and extremely fine grain for its speed. This is a beautiful film for all general photography. | |||
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KODAK ROYAL GOLD 400 |
ISO: 400/27 | PGI 41 | Not stated | RC, 5254 | Royal GoLd 400 employs the same improvemeris as the other Royal Gold Films. A premium-quality consumer film offering superb image quality for the speed, ideal For capturing those special moments in less-favorable lighting when top image quality is vcry important consumers will use this film the same way they use premium-grade videotapes instead oF regular grade tapes. | |||
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KODAK TECHNICAL PAN |
ISO 25/15' | 3 | 320/100 Ipm | TP, 2415 | The sharpest, finestgrained film available in 35mm cassettes, high-contrast Tech Pan yields full-range virtually grainless black-and-white negatives for pictorial work when developed in Kodak Technidol developer. When developed in Kodak D-19, it produces extreme-contrast negatives. Little exposure latitude, but amazing results once you've dialedin the exposure and processing. | |||
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KODAK T-MAX 100 |
ISO 100/21' | 8 | 200/63 Ipm | TMX, 5052 | T-Max 100 employs the flat T-Grains introduced in Kodak's color-print films to produce a faster film with grain and resolution of a film one-third its speed. It also has wide exposure latitude and is very responsive to changes in development time (and thus is not very tolerant of processing errors). Kodak offers a direct-positive kit to produce positive BRW transparencies from T-Max 100. | |||
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KODAK T-MAX 400 |
ISO 400/27' | 10 | 125/50 I pm | TMY, 5053 | T-Max 400 is sharper and finer-grained than Plus-X, with three times the speed. One of the faster ISO 400 films (strange but true), T-Max 400 can be rated up to EI 800 with no change in development; effective speeds of EI 1600 and 3200 are possible with increased development. A great general-purpose film with excellent exposure latitude, but it needs more precise processing than Tri-X. | |||
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KODAK T-MAX P3200 |
EI 800-6400 | 18 | 125/40 Ipm | TMZ, 5054 | Powrót |
T-Max P3200 has excellent speed characteristics it can be pushed to EI 50,000 for surveillance work and exposed at EI 3200 6400 for general shooting with good grain and sharpness at the lower film speeds. We've used T-Max P3200 for many subjects in all kinds of lighting and have found it to be an excellent choice whenever film speeds above EI 800 are required. | ||
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KODAK T-MAX T400 CN |
EI 400/27' | Not stated | Not stated | T400 CN | This versatile new black-and-white negative film is processed in standard C-41 color-print film chemistry, yielding negatives with images composed of dye rather than silver. Exposed at EI 400, its image quality matches that of T-Max 100. T400 CN produces great results at EI 50 800 with standard processing, and can be pushed to EI 1600 and 3200 for increased speed and contrast. | |||
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KODAK TRI-X |
ISO 400/27' | Not stated | 100/50 I pm | TX, 5063 | Tri-X has long been a favorite of pictorial, sports and news photographers for its beautiful tonal range and high speed. Many users rate it at EI 250 320 for pictorial use and reduce development to gain extended tonal range. Tri-X is easily pushed in several popular "speed-increasing" developers. This is a fine all-purpose film when giant blow-ups are not required. | |||
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KODAK VERICOLOR SLIDE SO-279 |
El varies | Not stated | Not stated | 50-279 | Vericolor Slide Film SO-279 is actually a C-41 color-negative film that yields reverse-text slides, or slides from color negatives. It's suitable for copying black-and-white line art to provide reversed-text slides and for direct printing from color negatives or internegatives to produce color transparencies. It provides good-quality copies, with near-original contrast and color rendition. | |||
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KODAKCHROME 200 PRO |
ISO 200/24' | 19 | 100/50 Ipm | KL, PKL | Combining the rich blacks and brilliant colors of Kodachrome with a speed of ISO 200, Kodachrome 200 has more grain and less sharpness than K25 although this is still a very sharp film but that's to be expected with an 8X increase in film speed. Image quality is excellent, and colors are extremely accurate. It lacks the exposure latitude of some other 200-speed slide films. | |||
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KONICA BABY FILM |
ISO 200/24' | Not stated | Not stated | BabY Film | Here's a film designed especially for photographing babies! Featuring gentle contrast and rich gradations from highlights to shadows, Konica's Baby Film produces good results under daylight and electronic-flash illumination. It yields pleasant, warm skin tones and handles high-key shots well. The overall effect is soh and natural. Great for pro baby photographers as well as parents. | |||
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KONICA CHROME R-100 |
ISO 100/21' | 11 | 125/50 Ipm | R-100 | It's not widely known in the U.S., but Konica o8ers a 35mm color-slide film as well as its better-known colorprint films. Konica Chrome R-100 utilizes the common E-6 process or Konica's own CRK-2 process, and incorporates the Clean Multi-Crystal Technology introduced with the SR-series color-print films. It o8ers good color reproduction, grain, contrast and stability. | |||
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KONICA COLOR CENTURA 200 |
ISO 200/24' | 4 | 100/50 Ipm | Centuria 200 | A fine general-purpose film, Color Centuria 200 offers enough speed to handle a wide range of shooting situations, while still providing fine grain, great sharpness, and bright colors. Like the other Color Centuria films, Centuria 200 has wide latitude and good stability before and after exposure especially important to point-and-shooters, who don't always shoot film and have it processed right away. | |||
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KONICA COLOR CENTURIA 100 |
ISO 100/21' | 4 | 125/63 Ipm | TBA | Konica's new consumer color-print film line is dubbed Color Centuria. The 100-speed emulsion is the sharpest. Next-generation AgX crystals are 50% smaller than in VX films, Centuria's fine predecessors. New Centuria coupler offers higher sensitivity and stability, for better processing characteristics, while new dye couplers provide sharper images with vivid color saturation. | |||
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KONICA COLOR CENTURIA 400 |
ISO 400/30' | 4 | 100/50 Ipm | Centuria 400 | This new 400-speed I color-prinr film oJFers super-bright colors, fine grain and grear sharpness. Like the other new Centuria films, it employs Konicas Centuria Crystal, Coupler and DIR Coupler technolopes for impmvemcnts in every area over its fine VX400 predecessor. Preand post-exposure stability has been impmved, and the film is even environmenrally fiiendly it does away with the need For formaldehyde snbilizer dwing pmcessing. | |||
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KONICA COLOR CENTURIA 800 |
ISO 800/30' | 5 | 100/50 Ip01 | Centuria 800 | The fastest of the new Color Centuria films, Centuria 800 still produces excellent image quality, with granularity and sharpness ratings similar to those of ISO 400 films. Utilizing Konica's latest emulsion technologies, Centuria 800 provides natural color rendition even under mixed lighting, even with hard-to-reproduce colors. This is a fine film to use anytime you need such a high film speed. | |||
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KONICA COLOR PRO 160 |
ISO 160/23' | Not stated | Not stated | Not stated | Color Professional 160 replaced SR-G 160 as Konica's entry in the popular ISO 160 pro print-film market. It's improved in virtually every respect: smoother gradations from highlights to shadows, greater sharpness, finer grain, faithful reproduction of skin tones and colors (even difficult to reproduce colors), neutral whites, blacks and grays, and great pre and post-exposure stability. | |||
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KONICA IMPRESA 50 PRO |
ISO 50/18' | 4 | 130/80 Ipm | Impresa 50 | Aprofessional film that delivers superb image quality and accurate color reproduction, even with difficult-to-reproduce colors such as wine red, burgundy, sapphire blue, ultramarine and lavender, Impresa 50 is ideal for commercial and studio photographers. It quickly became a big hit with pro shooters when introduced in Japan. Contrast, sharpness and graininess are excellent. | |||
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KONICA INFRARED 750NM |
El 32 | Not stated | Not stated | Infrared 750nm | Afine-grained blackand-white infraredsensitive film, Konica Infrared 750nm (the number refers to its peak spectral sensitivity at 750 nanometers) is great for landscapes, aerial photography and scientific work. For optimum results, use a red filter, rate the film at EI 32 (and open up two stops to compensate for the filter try %o at f/5.6 in sunny frontlighting) and bracket exposures. | |||
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KONICA MONOCHROME VX400 |
ISO 400/27' | Not stated | Not stated | Not stated | Konica joins Ilford and Kodak in offering a chromogenic black-and-white film that is processed in standard C-41 color-print film chemicals to yield super-quality black-andwhite negatives with images consisting of dye rather than silver. Any C-41 one-hour lab can process the film and print it on standard color paper, so you can get high-quality black-and-white images even if you don't have a darkroom. | |||
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KONICA SR-G 3200 |
lSO 3200/36' | 11 | Not stated | SR-G 3200 | The fastest color-negative film available, SR-G 3200 combines Konica's multi-structure crystals with its original discrete layer structure to yield excellent image quality for such a superspeed film. SR-G 3200 brings indoor action and theater photography and handheld night shooting within the realm of the available-light shooter. The 61m produces a good D-max black and good color reproduction. | |||
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POLAROID ONEFILM 100 |
ISO 100/21' | Not stated | Not stated | OneFilm 100 | Polaroid OneFilm 100 is a high-quality noninstant (standard C-41 process) color-print film aimed at the consumer. It features excellent image quality and bright, saturated, accurate colors, with an exposure latitude of two stops under to three stops over. A similar emulsion designated Polaroid HD100 film is available exclusively through WalMart stores. | |||
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POLAROID ONEFILM 200 |
ISO 200/24' | 4 | Not stated | OneFilm 200 | Similar in color rendition and image quality to Polaroid OneFilm 100, but a stop faster, OneFilm 200 is an excellent general-purpose color-print film, offering wide exposure latitude for point-andshooters and clear, sharp pictures to boot. OneFilm 200 and its cousin, HD 200, are great for compact-camera users and moreg serious photographers who are on a budget. | |||
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POLAROID ONEFILM 400 |
ISO 400/27' | 5 | Not stated | OneFilm 400 | An (xcellent high-speed color-print film, this &stest member of Polaroid's OneFilm mo of mnsumer Bms, OneFilm 400, oEers accurate, sanuated mlors and fmt-rare image quality For irs ISO400 speed. Exposure latitude runs &om wo srops under m three aops over. Good results can be obtained even under fluorescent or tunpten light. | |||
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POLAROID POLACHROME/HC |
ISO 40/17' | Not stated | 90 Ipm | CS/HCP | PolaChrome instant color-slide films process in 60 seconds in the Polaroid AutoProcessor, yielding sharp, somewhat grainy slides with quite accurate colar reproduction. PolaChrome HC is a higher-contrast version for tech applications, not intended for general photography. Due the the films' unusual reflectance, OTF exposure meters won't produce correct exposures. | |||
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POLAROID POLAPAN |
ISO 125/22' | Not stated | 90 lpm | CT | PolaPan is unique: It's the only continuoustone black-and-white instant film, and it produces 35mm black-and-white positive transparencies rather than negatives. It processes in 60 seconds in the Polaroid AutoProcessor. Like the other Polaroid "instant" 35mm films, it has an unusual surface reflectance that can mislead in-camera meters that measure off the film. | |||
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FUJICOLOR NPL 160 |
ISO 160/23' | Not stated | - średnioczuły drobnoziarnisty negatyw do światła sztucznego, czasy naświetlania od 1/30 do 2 s. - desygnowany do portretowej fotografii studyjnej oraz kopiowania - pozwala na uzyskanie gładkich, naturalnych tonów skóry, doskonałego odwzorowania kolorów oraz najdrobniejszych nawet szczegółów fotografowanych obiektów. |